What should I bring to my first baroque violin lesson?

Please simply bring whatever you already have—for example, your modern violin. Do not try to acquire Baroque “equipment” on your own, as the range of instruments, bows, strings, and accessories is vast and often confusing. It is important to seek guidance from a specialist. Instrument, bow, and strings form a tonal partnership and must work well together in order to realise their full sound potential.

In the first lesson, I will play a little with you and we will talk. Afterwards, I will most likely either lend you an instrument to try (I have several that I lend to students, though I do not sell them), or I will refer you to a suitable violin maker who specialises in Baroque instruments, or to a collector who may be able to provide an instrument for trial.

Why?

Playing Baroque music on gut strings with a Baroque bow is so different that it truly takes time to become accustomed to it and to discover how to produce a good sound—also in different musical situations. The following points are also important:

• Keep in mind that you will mostly play the instrument at home. It should therefore sound pleasing “under the ear,” so that you feel inspired to take it out and play. The instrument should inspire you.

• When playing with other Baroque instruments—in an orchestra or ensemble—you will notice that your instrument needs to blend well with others. This quality is therefore crucial when choosing an instrument.

• If you plan to play solo in larger spaces, the sound should carry well. It is important to try the instrument in a concert hall and, ideally, ask a colleague to listen and assess how well it projects. It is remarkable how some violins that sound loud under the ear do not carry well—and vice versa.

At the beginning, most people are naturally not in a position to choose a suitable Baroque instrument—they have not yet fully entered the Baroque world. I therefore always recommend trying out several different Baroque instruments and bows, both at home and in ensemble or orchestral settings, in order to gain experience. Fortunately, within our Baroque community here in Munich, we now have several instruments available for this purpose.

The process of finding—or “creating”—your Baroque violin is an exciting and deeply rewarding journey. Take your time and enjoy it. I look forward to guiding you along the way! 🎻